John Horner

Sarah Clark

Livy Onalee

Opening Reception November 2, 2018

Through November 18, 2018

John Horner   What we see, In the shadow of metaphor


Sarah Clark   Dreams: A Boxed Set Sarah Clark

Images from dreams, artifacts from dreams, archetypical dreams; the world inside a sleeping mind and the idiosyncratic connections made there


Livy Onalee  2018 Edgy Award Winner for Students

 Stone’s Throw Away in the Making of Progress

An immersive installation which questions our willingness to follow into the unknown by role playing identity through systematized meditation processes.


Upcoming for the Holiday Season, Opening “Black Friday” November 23, 2018

Voice: A Celebration of Refugee Stories

October 12-28, 2018

Opening Reception: Friday, October 12, 2018  5:00-10:00
Film and discussion night: Friday, October 19 , 2018, 7:00-9:00

NeeNee Productions presents Sauti, a coming of age story about five courageous teen-aged girls who fled their home countries of the Democratic Republic of Congo, Rwanda, and South Sudan when they were very young to eventually live in Uganda’s Kyangwali Refugee Settlement, which they call home to this day. “Sauti” means voice in Swahili. The young women tell their stories in their own voices; personal drawings, poems, song, dance, and handicam diary interviews filmed by the girls themselves are incorporated into professionally shot footage. With tenacity, tenderness, and imagination, the girls approach their uncertain futures to envision new lives of their own choosing.

 

Stephen Shugart

Kay Galvan

Opening September 21, 2018 – October 7, 2018

Opening reception Friday, September 21, 2018  5:00 -10:00 pm

Stephen Shugart  – Nocturnes

Past, Present, Future and Elsewhere. 2018. Pine, embroidery hoops, polyester/spandex, thread, springs, cable, clamp lights, remote control bluetooth RGB LED bulbs, hardware. 79″ x 35″ x 35″

Nocturnes is a multi-media, multi genre show featuring new light art sculptures, painting, photographs and poetry on the theme of time, memory and the cosmos. The minimalist works contrast natural and synthetic materials using wood, fabric, springs, magnets, lights, hardware, and found objects.


Kay Galvan – Doha

Spinning in Samsara  2018. Oil on Canvas. 24″ x 24″

Doha is a Hindi and sometimes Buddhist form of poetry, written to describe a sensual, devotional or spiritual state. These doha are spontaneous and poetic visual responses to the contemplative experiences of my inner world.


Gayla Lemke

Jennifer Hope

Ken Peterson

Opening August 31-September 16, 2018

Opening Reception Friday, Aug 31, 6-10 PM

Gayla Lemke
Contained

We all contain stuff…from our basic physicality to our emotions, memories, experiences, history, trauma and beliefs.
The truth is contained.
People are contained.
And with containment often comes release…#Me Too, marches, investigations….and even Pele.


Jennifer Hope
Transition

Jennifer Hope goes back to her beginning at Edge Gallery and shows us the transition of her painting style.


Ken Peterson
The Holga Series   Part 2



Edge currently has openings for Full and Associate Members.
Please click here for more information.

See Edge’s Fence Art Installation on the 40 West ArtLine:
https://www.40westartline.org/art
40 West Arts District Member

Associate Member Show Opening August 10 – August 26, 2018

Ken Peterson
Rachel Amos
Nolan Tredway

Opening Reception 5 – 10 PM Friday, Aug 10

Ken Peterson The Holga Series
“Swan Lake  4.5” x 6” October 2017

Rachel Amos  Connecting to Earth
“Continuing the Cycle” Chalk Pastel 18″ x 12″

Propelling me in most of these drawings is the discovery made public not too long ago, that trees and other plants communicate a lot of information with each other via fungi. This is really interesting for me, as it seems to show a further connection among many kinds of life; I have tried to express the depth of this in my work.

Nolan Tredway Undark
“Memory Garden

Nolan Tredway’s  Undark will feature his newest multimedia work. This exhibition explores the impermanence of the mortal and the digital infinite, invoking the meaning of memory and its subjugation versus the clarity of objective documents. Both these lives, the ones remembered and the ones observed, are part of cyclical and symbiotic process, each needing the other to stay alive, but ultimately failing. Our ability to bring meaning to mortality depends on our ability to celebrate the impermanent as part of a larger trajectory.


Edge currently has openings for Full and Associate Members.
Please click here for more information.

See Edge’s Fence Art Installation on the 40 West ArtLine:
https://www.40westartline.org/art
40 West Arts District Member

A Contemporary Art Gallery